For most of last year I had a personal project to try and capture the colour and textures of my garden. It was a lovely change from the challenges of commercial design work and it made the contrast between my personal designs and my commission work even more obvious.
It’s been a difficult struggle, to reconcile my beliefs in sustainable textiles and natural processes with the commercial demand for “budget” makes that many of my clients have been asking for. Acrylic yarns in particular are not “environmentally friendly”, they aren’t biodegradeable, the process of making is energy intensive and the brightly coloured dyes are often harmful, chemical based products. So, I’ve tried to separate my commercial design work from my personal projects.
Dyeing yarn using plant materials (not extracts or commercial dye stuff) has been a challenge and a steep learning curve. But I am loving the results and the colours I’ve achieved. Inevitably this has led on to exploring other natural processes and rediscovering some of the techniques I used in my teaching days.
This year I’m exploring ways to capture different landscapes and locations that have a personal connection for me. It’s been good for me to learn new techniques and to spend time with other artists and practitioners who are willing to share their knowledge and enthusiasm for natural processes.
Of course I’ll still be publishing knitting and crochet designs (which you can find over at Granny Cool) and in future issues of Inside crochet magazine I have some fantastic designs which make the best of British Wool including (finally!) the pattern for this gorgeous crochet bag pictured here in my favourite Herdwick wool.
Posted by Tracey on March 22, 2017
I spent the weekend in Saltaire at textile artist Hannah Lamb’s studio. The workshop title intrigued me, “Patchwork and Place” seemed to fit so well with my own current work in progress, which aims to record places and events through stitch and textiles. My Garden Remembered (working title) project to record our own garden now continues into year two and the techniques and ideas sparked by my weekend with Hannah have moved my plans in a different direction.
On day one, Hannah introduced us to the technique of cyanotype printing and immediately it was obvious to me that this could be the ideal way to record the flora and fauna of the garden in a way that complements last year’s experiments with solar dyes. I came home and searched through my old “teacher box” until I found some sun print paper. Using the leaves I pressed last summer along with bird feathers collected from the garden I managed some very pretty first efforts. I am now planning a whole series of pieces – once again harnessing the power of the sun seems to be the theme of this years “garden captures”. Hannah is running an introduction to cyanotype course at her studio in May, if this is a technique that intrigues you I would definitely recommend Hannah – she is generous with her knowledge – and encouragement.The second day was spent constructing patchwork and stitched pieces using the fabrics we had prepared on Saturday. This was tricky for me as I have never done any patchwork. I watched, asked questions and after some perseverance I did manage to finish my sample at home on Monday. I’m not sure that formal / traditional patchwork comes naturally to me. It requires patience, straight lines and a degree of accuracy that doesn’t come easily. Like all hand stitching, the slow, meditative process of joining one piece to another was a joy. I shall definitely be working on my English paper piecing skills this year.
Mr T kindly paid for my workshop as part of my Christmas present. Secretly I think he was glad of a weekend to himself, to watch the rugby uninterrupted and not be nagged to do weekend chores. For me, it was a lovely chance to observe another artist at work, to learn new skills and spend time with a lovely group of sewing enthusiasts. A weekend away might seem like an indulgence, but I think that time away has “recharged my batteries”, given me permission to be creative without the pressure of making a commercial design or a product to sell. Today I’ve been hard at work researching a new textile project that won’t involve crochet or knitting, it’s early days and so I have nothing to share yet (just scribbled notes in my sketch book , a rapidly filling Pinterest board and a shopping list that reads like a chemistry lesson). I’ve also been researching the mills of Cockermouth and discovering what a huge part linen cloth and thread played in the development of the town. There are exciting times ahead, and they definitely involve stitching…
Posted by Tracey on March 1, 2017