For most of last year I had a personal project to try and capture the colour and textures of my garden. It was a lovely change from the challenges of commercial design work and it made the contrast between my personal designs and my commission work even more obvious.
It’s been a difficult struggle, to reconcile my beliefs in sustainable textiles and natural processes with the commercial demand for “budget” makes that many of my clients have been asking for. Acrylic yarns in particular are not “environmentally friendly”, they aren’t biodegradeable, the process of making is energy intensive and the brightly coloured dyes are often harmful, chemical based products. So, I’ve tried to separate my commercial design work from my personal projects.
Dyeing yarn using plant materials (not extracts or commercial dye stuff) has been a challenge and a steep learning curve. But I am loving the results and the colours I’ve achieved. Inevitably this has led on to exploring other natural processes and rediscovering some of the techniques I used in my teaching days.
This year I’m exploring ways to capture different landscapes and locations that have a personal connection for me. It’s been good for me to learn new techniques and to spend time with other artists and practitioners who are willing to share their knowledge and enthusiasm for natural processes.
Of course I’ll still be publishing knitting and crochet designs (which you can find over at Granny Cool) and in future issues of Inside crochet magazine I have some fantastic designs which make the best of British Wool including (finally!) the pattern for this gorgeous crochet bag pictured here in my favourite Herdwick wool.